Symbolism (Big Art S.) Review

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Symbolism (Big Art S.) ReviewI picked up a copy of Michael Gibson's wonderful book at the largest exhibtion of Symbolist Art a few years ago in Toronto, and found it to be an excellent and thoroughly accesible introduction and overview of this fascinating and haunting art and the period of the "fin-de-siecle". The reader from AZ wants to know if there are any "better" books on the subject-- perhaps-- Phillipe Julien's classic "bible" of Symbolist Art, THE SYMBOLISTS and the follow-up, DREAMERS OF DECADENCE. In the early '80s Rizzoli/Skira published SYMBOLISTS AND SYMBOLISM, and in the '90's, Rizzoli published THE SYMBOLIST GENERATION, and Abrams published, THE SYMBOLISTS. All of these titles are beautifully produced, lavishly illustrated hardcovers that are unfortunately hard to find (and in good condition at a good price). Mr. Gibson's book seems to be readily available (in hc and pb), and it is truly a vaulable addition to anyone's art library, or to anyone curious about this beautiful school of art.Symbolism (Big Art S.) Overview"To clothe the idea in perceptible form," proposed the poet Jean Moreas in his 1886 "Manifesto of Symbolism". It was in France and Belgium, the cradles of literary Symbolism, that Symbolist painting was born. It plunged headlong into the cultural space opened up by the poetry of Baudelaire and Mallarme and by the operas of Wagner. Symbolist painters sought not to represent appearances but to express "the Idea," and the imaginary therefore plays an important part in their work. "Dream" was their credo; they execrated, with a fanatical hatred, impressionism, realism, naturalism, and the scientistic. The main principle of Symbolism, that of "correspondences," was to attain harmony between all the different arts, or even to realise the total work of art (Gesamtkunstwerk) that Wagner had dreamt of creating.What we rediscover today, after a period of neglect, is this: Symbolist painting is essential to our understanding of modern art, not only because it spread across the world like wildfire, creating disciples from Russia to the United States, from Northern Europe to the Mediterranean, but because it was the source of a series of mutations without which modern art would not be what it is.

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