The Grace of Four Moons: Dress, Adornment, and the Art of the Body in Modern India (Material Culture) Review

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The Grace of Four Moons: Dress, Adornment, and the Art of the Body in Modern India (Material Culture) ReviewThe Grace of Four Moons' subtitle promises (and delivers!) an exploration of dress and adornment in modern India. The author's discussion is engaging and well-written putting her into dialogue with dress scholars such as Valerie Steele and Joanne Eicher. The book is beautifully illustrated, scholarly, and written in accessible language making it a `must read' for anyone interested in how people everywhere communicate through their appearance. In writing this ethnography of dress, Shukla provides a model for those concerned with material culture in general and dress in particular. Designers, curators, folklorists, and anyone who enjoys learning about the rich possibilities of dress and adornment will find this book a fascinating read.The Grace of Four Moons: Dress, Adornment, and the Art of the Body in Modern India (Material Culture) OverviewBecause clothing, food, and shelter are basic human needs, they provideexcellent entries to cultural values and individual aesthetics. Everyone getsdressed every day, but body art has not received the attention it deserves as themost common and universal of material expressions of culture. The Grace of FourMoons aims to document the clothing decisions made by ordinary people in theireveryday lives. Based on fieldwork conducted primarily in the city of Banaras,India, Pravina Shukla conceptualizes and realizes a total model for the study ofbody art -- understood as all aesthetic modifications and supplementations to thebody. Shukla urges the study of the entire process of body art, from the assembly ofraw materials and the manufacture of objects, through their sale and theinteractions between merchants and consumers, to the consumer's use of objects increating personal decoration.

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