An Orgy of Playboy's Eldon Dedini Review

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An Orgy of Playboy's Eldon Dedini ReviewI knew Eldon.He was a master.He loved his work and it showed with the wonderful women etc he drew for his cartoons in Playboy.His watercolor work was superb.His jokes;on the button funny.He was simply the best at his occupation.I will miss him and his art,and so will readers of Playboy.An Orgy of Playboy's Eldon Dedini Overview
Collecting a half-century of cartoons from Playboy's most venerable contributor.
For over 45 years, Eldon Dedini has been one of Playboy's most recognizable full-page gag cartoonists. With a masterful watercolor technique that burlesques a broad range of subjects-from East and West Coast urban and suburban adult-hipster to classical Japanese erotic prints-Dedini's most personal cartoons rely on mythology and legend, evoking a bucolic sexually liberated paradise that leaves its reader lingering over the imagery long after the gag registers.A lifelong Californian, Dedini cut his graphic teeth in his early twenties as an editorial cartoonist for the Salinas Morning Post. He studied drawing and painting for two years at L.A.'s Chouinard Institute until 1944, when Walt Disney Studios hired him as a story sketch artist. Refusing to end up as just another anonymous Disney drone, Dedini worked nights and weekends to develop his own style and sold dozens of cartoons to Esquire, which in 1946 offered him a four-year contract at twice his Disney salary. In 1950 Dedini moved to The New Yorker-where he is still a contributor-and finally to Playboy in 1959.An Orgy of Playboy's Eldon Dedini is the first retrospective collection of his work and gathers in one volume the most sophisticated, elegant-and funny-gag panels of the past six decades. Color and black-and-white cartoons throughout

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We Are On Our Own Review

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We Are On Our Own ReviewThis is a wonderful, touching book. It is a harrowing story of a young women's struggle to survive the Holocaust and save her toddler daughter. The story takes place in Hungary in the last year of the war. A resourceful and courageous woman, the mother manages to hide as a servant woman. She is both willing and able to do whatever it takes to stay alive. The latter part of the book is devoted to her husband's search for her and his daughter. This search is eventually successful and the family builds a happy life after the war.
The book moved me to tears because it touches the raw pain and desperation both of the mother and of the bewildered child. Unlike many other Holocaust books, this one focuses not so much on the cruelty of the Nazis and their Hungarian helpers, but on the many kind people who took risks to help the two survive or just showed them kindness when it was most needed.
One of the central themes of the book is the young child's struggle to understand God in the context of the losses she suffers. Throughout her life, the protagonist yearned to believe in a God that she felt did not exist. It's an interesting theme and is handled in a nuanced manner.
This is a graphic novel, in cartoon strip format. I did not fall in love with the images. They lack the graphic power of "Maus." Spiegleman made the cartoon medium work for him, forever changing it. Katin's images seemed to me to be less interesting and challenging. They are carefully drawn and capture the mood, but what made the book work for me was the dialog, and that could have been captured as a narrative as well.
This book may not, in my opinion, be appropriate for the younger student because of sexual content. There are two situations of forced sex, and while they are not graphically depicted, the themes are rather adult. There is also discussion of an abortion. The older highschool student should be able to contextualize the material appropriately.
We Are On Our Own Overview

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