Showing posts with label united states. Show all posts
Showing posts with label united states. Show all posts

Vistas de Espana: American Views of Art and Life in Spain, 1860-1914 Review

Vistas de Espana: American Views of Art and Life in Spain, 1860-1914
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Vistas de Espana: American Views of Art and Life in Spain, 1860-1914 ReviewM. Elizabeth Boone has written a book that was surely needed. Although art scholars have paid much attention to American artists who painted in France, it was difficult before this beautiful book to find a history of Americans who painted in Spain. Its color plates are exceptional, and Boone writes about Spain's important influence on the best historic American artists. It is a "must" for anyone who is interested in the confluence of Spanish artistic traditions on America.Vistas de Espana: American Views of Art and Life in Spain, 1860-1914 OverviewIn the decades following the American Civil War and leading up to the First World War, a definitive shift in power took place between Spain and the United States. This original book explores American artists' perceptions of Spain during this period of turmoil and demonstrates how their responses to Spanish art helped to answer emerging, complex questions about American national identity.M. Elizabeth Boone focuses on works by Thomas Eakins, Mary Cassatt, William Merritt Chase, John Singer Sargent, Robert Henri, and other American artists who traveled to Spain to study the achievements of such great masters as Murillo, Velázquez, and Goya. The resulting American paintings, some well known and others now largely forgotten, provide intriguing insights not only into the 19th-century American struggle to define itself as an imperial power but also into the relations between the United States and the Spanish-speaking world today.

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Poets of World War II (American Poets Project) Review

Poets of World War II (American Poets Project)
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Poets of World War II (American Poets Project) ReviewThis anthology is one in a series published by the American Poets Project, an effort intended to produce a first-time "compact national library of poets" (back cover). The volume under review here consists of 120 poems by 62 poets, where 42 are veterans, the others non-veterans, thus making it similar in concept to kindred anthologies such as Jan Barry's 'Peace is Our Profession: Poems and Passages of War Protest' (1981). As such, it includes works by conscientious objectors and other war-resisters such as Robinson Jeffers and William Stafford. All the contributors are a credible collection of Objectivists, Imagists, "followers of the formal school of Southern verse and dense rhetoric..." (xxxii). The editor is Harvey Shapiro, an Ivy League-educated poet, and veteran of thirty-five combat missions as a B-17 tail gunner. He sets a solemn tone for the volume, stating that although the Allies were victorious, "the sight of dead bodies is scattered among these poems the way bodies were washed up on the shores of invasion beaches..." (xix). Moreover, his purpose for this anthology is "to demonstrate that the American poets of this war produced a body of work that has not yet been recognized for its clean and powerful eloquence" (xx).
Shapiro gathers some of the best poetry of the war. Included are those infrequently published but no less majestically poignant air war poems by John Ciardi, James Dickey, Richard Eberhart, Richard Hugo (though his opus magnum, 'Mission to Linz', does not appear here), Randall Jarrell, and Howard Nemerov. Some of the best poems of ground combat are by Louis Simpson, George Oppen, and Anthony Hecht. Several poems are quite moving, such as James Tate's 'The Lost Pilot' (218-220), written for his father who was killed in action when Tate was five months old, and Peter Viereck's 'Vale from Carthage' (110-111), which Viereck wrote on the occasion of his brother's death in the European theater. There are sublime elegies like Vladimir Nabokov's "When he was small, when he would fall" (20), and Richard Eberhart's 'A Ceremony by the Sea' (31-34). Many poets achieve a powerful austerity through just a few lines, such as Samuel Menashe does in his 18-syllable, 5-line poem, 'Beachhead' (214). Yet, the poems here are not solely about combat and its affects, for they also inform the wider ontology of war, verse that emerges into the foreground of military victory to ask the unanswered questions of race and class. Compelling examples are Witter Bynner's 'Defeat', and Gwendolyn Brook's 'Negro Hero' (1, 115).
For enthusiasts of poetry and studies of how war relates to literature and the arts, Shapiro's book proves an exemplary and diverse collection, and a perfect companion to Leon Stokesbury's 'Articles of War: A Collection of American Poetry About World War II' (1990). It includes an Introduction by Shapiro, and a very helpful biographical notes section. There has always been a debate over how poetry can close the aesthetic space between the poetry reader's expectations and the poet's ability to meet them. This work accomplishes that closure quite effectively despite the decades that have passed since the end of the Second World War.
Poets of World War II (American Poets Project) OverviewAcclaimed poet and World War II veteran Harvey Shapiro's pathbreaking gathering of work by more than sixty poets of the war years includes Randall Jarrell, Anthony Hecht, George Oppen, Richard Eberhart, William Bronk, and Woody Guthrie.

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Breaking Open Japan: Commodore Perry, Lord Abe, and American Imperialism in 1853 Review

Breaking Open Japan: Commodore Perry, Lord Abe, and American Imperialism in 1853
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Breaking Open Japan: Commodore Perry, Lord Abe, and American Imperialism in 1853 ReviewOn one level this remarkable book will provide invaluable background for anyone interested in understanding why Japan's love-hate relationship with the United States continues to this day. It should also serve to underline the dangers of imposing one nation's views on another.
But the book will also appeal to readers simply interested in a rich historical tour of Japan at the dawn of its modern era. The skillful weaving of the descriptions of the personalities, prejudices and political backgrounds of Commodore Perry and his Japanese counterpart Lord Abe brings to life and keeps in focus a story that might otherwise have drifted into an academic dissertation.
Breaking Open Japan will now be added to my list of must-reads for friends and acquaintances interested in peeling away the layers of a society that remains the most complex and conflicted of the modern era.Breaking Open Japan: Commodore Perry, Lord Abe, and American Imperialism in 1853 Overview On July 14, 1853, the four warships of America's East Asia Squadron made for Kurihama, 30 miles south of the Japanese capital, then called Edo. It had come to pry open Japan after her two and a half centuries of isolation and nearly a decade of intense planning by Matthew Perry, the squadron commander. The spoils of the recent Mexican Spanish–American War had whetted a powerful American appetite for using her soaring wealth and power for commercial and political advantage. Perry's cloaking of imperial impulse in humanitarian purpose was fully matched by Japanese self–deception. High among the country's articles of faith was certainty of its protection by heavenly power. A distinguished Japanese scholar argued in 1811 that "Japanese differ completely from and are superior to the peoples of...all other countries of the world." So began one of history's greatest political and cultural clashes. In BREAKING OPEN JAPAN, George Feifer makes this drama new and relevant for today. At its heart were two formidable men: Perry and Lord Masahiro Abe, the political mastermind and real authority behind the Emperor and the Shogun. Feifer gives us a fascinating account of "sealed off" Japan and shows that Perry's aggressive handling of his mission had far reaching consequences for Japan – and the United States – well into the twentieth if not twenty–first century.

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Thomas Mcknight's Arcadia Review

Thomas Mcknight's Arcadia
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Thomas Mcknight's Arcadia ReviewGreat images of McKnight's work. The text is a little ethereal, but the images are great. Buy this for the art, not the text.Thomas Mcknight's Arcadia OverviewThomas McKnight (b. 1941) is one of the most successful artists in the United States. Best known for his celestial interiors and landscapes of the world's most beautiful places, his work has also explored an interior world he calls Arcadia-a place where nymphs linger by ancient springs, oracles speak, and angels fly. In a burst of creativity over the last decade, McKnight has developed a new style to depict these interior visions. The canvases are large, textured, and evoke the patina of ancient frescoes-and more than 100 of these new paintings are featured in this book, along with insightful commentary by Italian art critic Francesco Colonna. Thomas McKnight's Arcadia is a handsomely designed new monograph that will transport the reader to the paradise of the painter's imagination.

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East Coast/West Coast and Beyond: Colin Campbell Cooper, American Impressionist Review

East Coast/West Coast and Beyond: Colin Campbell Cooper, American Impressionist
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East Coast/West Coast and Beyond: Colin Campbell Cooper, American Impressionist ReviewThe work has been a long time in coming. Colin Campbell Cooper was recognized as one of the great American Impressionists in his day. He was elected to the National Academy, his work won many awards and was welcome in any show or gallery. He painted the skyscrapers and important buildings in New York City, the beautiful landscapes of California and was a world traveler painting all over the world. In spite of this, he is overlooked today. This work will help to re-introduce Cooper to many who are not aware of his greatness.East Coast/West Coast and Beyond: Colin Campbell Cooper, American Impressionist OverviewLike thefate of so many American Impressionist painters, Colin Campbell Cooper's career was often overlooked. With this first in-depth study of the artist, Cooper's career is finally illuminated, revealing a virtuosity and breadth of subject matter unique among his contemporaries. Originally from Philadelphia, Cooper was a student of Thomas Eakins at the Pennsylvania Academy of the Fine Arts before moving to Paris where he attended the Academie Julian and the academies Delacluse and Viti. It was in Paris where his enduring interest in architecture began with mediaeval architectural monuments, especially Gothic cathedrals. This interest in architecture developed into the theme for which his art would forever be associated. Relocating to California in 1921 led to his fascination with West Coast architecture with its Spanish influences, and his later work also reflects his love of the Western landscape. Whether painting the East or the West, Cooper was lauded as a significant Impressionist artist who

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Richard M. Nixon: A Life in Full Review

Richard M. Nixon: A Life in Full
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Richard M. Nixon: A Life in Full ReviewThis is pure conjecture, but I wouldn't be too surprised if this turns out to be how Conrad Black actually does write his biographies.
Step 1 - Pick a giant.
Step 2 - Write a first draft praising the giant's achievements and qualities.
Step 3 - Write, from scratch, a second draft attacking the giant from all sides, finding his every fault, his every weakness.
Step 4 - Tone down both drafts.
Step 5 - Combine both drafts in strict chronological order, mixing the praises with the criticisms.
And what we get is a very fair, very balanced biography, in this case of Richard Nixon, perhaps the first definitive one volume biography of the 37th President of the United States.
It is one thing to criticize those in power and quite another to wield it power oneself. Black has wielded power and this gives perspective and considerable authority to his work.
Like his biography of Franklin Roosevelt, this biography of Nixon should rank as one of the great works of critical praise. To pick the obvious example of Watergate, Black evaluates Nixon by concluding his "conduct was blameworthy, but the response to it was extreme". An accurate judgement for an event that "resulted in no theft, no injury, no property damage, no useful espionage".
And yet Black is often mystified by Nixon's "failure to grasp the realities of ... the political problems" especially given Nixon's known political saviness. In general, however, Black is praiseworthy. He lauds Nixon's trip to China, he corrects the record and enthusiastically credits Nixon with ending America's involvement in the Viet Nam war. Black's stance reflects the historical importance of the Nixon presidency.
The biggest surprise for me was learning how pro-civil rights Nixon had been. Of all presidents except for Bill Clinton, whom Toni Morrisson called America's first black president, Nixon was the most respecful of civil rights and of the lives of African Americans. This mindset resulted directly from Nixon's egalitarian Quaker upbringing as black friends came and ate supper at the Nixon table just because that's what you do with friends. He sacrificed considerable political capital on civil rights principles; he made no gains, nor expected any, from a black electorate committed to Johnson's War on Poverty and Great Society programs and he lost the support of many southerners who loved everything about him except his civil rights stance. (Clearly an instance of the political courage JFK wrote about but himself failed to muster.)
From a literary point of view, Watergate brings great irony to this book. Just as Black cannot understand how a man of Nixon's intellect and vision could have so completely misjudged the effects of Watergate, it equally boggles the mind how a man as superlatively intelligent and accomplished as Conrad Black could have misjudged the effects of his own actions with respect to his own legal worries. I suppose he should have found and burned the security video tapes showing him carrying out boxes of incriminating documents.
While excellent, the Nixon biography isn't quite as good as Black's Roosevelt biography, and not without one or two annoying defects, the most dismal of which are the dozen or so references to Wagner's Ring operas that Black attended (and funded in part!) in Toronto while writing the book. But that's a quibble, and we should blame a weak editor for not having forced Black to remove these quotes.
Vincent Poirier, DublinRichard M. Nixon: A Life in Full Overview

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The Sporting Art of Frank W. Benson Review

The Sporting Art of Frank W. Benson
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The Sporting Art of Frank W. Benson ReviewThe Maine Antique Digest (Sam Pennington, Editor mad@maine.com) wrote this neat review and I am sharing it with everyone who might want to know more about this great book.
This handsomely produced, definitive book is replete with reproductions of paintings, etchings, and lithographs of waterfowl and related works of Frank W. Benson, a pivotal artist of the American Impressionist movement. Benson's accurate depictions of birds have commanded high prices, and rightly so. This book will be an invaluable addition to the libraries of art collectors.
Faith Andrews Bedford gathered diverse and firsthand source material. She covers Benson's career by melding his primary interests: his family, his art, and the sporting life, not to mention his lifelong passion for birds. By interlacing her text with commentary from interviews with Benson's family, diaries, letters, photographs, and historical articles, she creates a lively, immediate flavor.
Chapter three, "A Sense of Place," begins by telling how the Benson family first visited North Haven island in Maine's Penobscot Bay in June 1901. They eventually bought Wooster Farm and summered there for about 40 years. I have a particular fondness for that island and was transported by the descriptions of their initial visits and their farm on Crabtree Point. To exemplify how neatly Bedford packs information, here is a quote from early in that chapter: "Benson's North Haven paintings of his family were praised by critics and collectors for capturing the `joyous gaiety' and `holiday mood' of life on the island. They sold almost as soon as they were seen by the public...Benson was not an indoor man by nature and far preferred the `life outside the studio.' Although his wife and daughters enjoyed the theater and music and for decades held the same two seats for the Boston Symphony Orchestra, he did not often accompany them. Nor did he enjoy the confines of church. He felt the place to worship God and respect His handiwork was through nature."
There is mention also of their tennis court at the farm, interest in golf, and of course the birds and fishing. Bedford adds other significant information about how the island affected Benson's art: "It was to become the site of many milestones, not only in his family life but in his art as well. Benson began his etching career on North Haven. Originally, this aspect of his work was merely a diversion, an experiment." This taste gives an inkling of the abundant information compiled. It is clearly presented and a good biographical resource.
Benson lived a long, fruitful life. Bedford, who has become a scholar capable of making such statements, says, "Benson was, perhaps, that rarest of humans, a happy man. Not that he ever rested on his laurels, not that he did not look constantly for challenges...He had reaped rewards and financial success from his art, had won fame and recognition in his own lifetime-something he realized few artists ever achieved...In Benson's own words, the secret to both tranquil enjoyment and success was in doing what you love."The Sporting Art of Frank W. Benson OverviewFrank Benson, a pivotal artist of the American Impressionist movement had, it would seem, three great loves in his long and productive life: his family, his art, and the sporting life. As a boy, Benson dreamed of being an ornithological illustrator. In mid-life, after an extremely successful career as a portraitist and painter of plein air canvases, he returned to the wildfowl and sporting subjects that were his lifelong passion. Over the next forty years, in etching, lithography, watercolor, and oil and wash, he portrayed birds beloved since childhood, scenes of his hunting and fishing expeditions, and still lives of incomparable delicacy. Whether painting a hunter setting out decoys, a wash of geese by moonlight, a watercolor of a companion poised to gaff a salmon, or an etching of a group of ducks silently gliding in for a landing, Benson conveyed the joy and beauty of a sportsman's life.This is the first book to concentrate on the aspect of Benson's career that won him both national and international renown as well as financial prosperity. Written by Faith Andrews Bedford, who also wrote the definitive monograph on his career, it draws on a rich store of family memories, diaries, letters and archives to create an intimate portrait of a man who was not only a successful artist but a consummate sportsman. From Benson's student days at the Boston Museum School, where he eventually became a teacher and director, to his frequent trips to his farm house on Cape Cod, where he spent countless days hunting, fishing, and sketching; from his annual salmon fishing trips to his many shooting expeditions in Canada, the Atlantic coast, the American South and the Rockies, this book touches on every aspect of his life and art. When he died in 1951, Benson had garnered every award of his day, the respect of his peers, and the admiration and affection of a devoted public. Here is a book that presents his sporting art, and his life, in all its forms and rich variety. We offer it with pride and enthusiasm.

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1812: The Navy's War Review

1812: The Navy's War
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1812: The Navy's War ReviewOften, books don't live up to the hype in the "blurbs" written in the editorial reviews. In this case, though, they are on the money. This book is exciting to read. That "can't put it down" quality isn't something I find in this genre often, but 1812 kept me up until the wee hours last night. It's a new perspective, meticulously researched and beautifully drawn. Highly recommended whether you are an 1812 fan, a fan of naval history, or even someone who typically shies away from military history -- I'd have to agree with one of the editorial reviews that says every American should read this book.1812: The Navy's War OverviewAt the outbreak of the War of 1812, America's prospects looked dismal. It was clear that the primary battlefield would be the open ocean-but America's war fleet, only twenty ships strong, faced a practiced British navy of more than a thousand men-of-war. Still, through a combination of nautical deftness and sheer bravado, the American navy managed to take the fight to the British and turn the tide of the war: on the Great Lakes, in the Atlantic, and even in the eastern Pacific.
In 1812: The Navy's War, prizewinning historian George C. Daughan tells the thrilling story of how a handful of heroic captains and their stalwart crews overcame spectacular odds to lead the country to victory against the world's greatest imperial power. A stunning contribution to military and national history, 1812: The Navy's War is the first complete account in more than a century of how the U.S. Navy rescued the fledgling nation and secured America's future.

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