The Artist's Eyes: Vision and the History of Art Review

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The Artist's Eyes: Vision and the History of Art ReviewIn "The Artist's Eyes: Vision and the History of Art", Michael Marmor (a professor on the faculty of the Stanford School of Medicine and an acknowledged expert in retinal physiology and disease) has teamed up with opthamologist James Ravin to produce a unique approach and perspective on the role of vision and eye disease in the creation of art and the perceptions of the artists. Examining art history through the framework of the biology of human vision, "The Artist's Eyes" is organized into informed and informative chapters dealing with the eye as an optical instrument, coding and contrast, color and its limitations, perspective and illusion, the 'aging eye', external eye disease, as well as cataract and glaucoma, retinal disease. Of special note is the concluding chapter 'The Artist's View' focusing upon the work of Degas and Monet with respect to stimulating vision. Enhanced with an extensive bibliography and a comprehensive index, "The Artist's Eyes" is profusely illustrated with 175 full-color illustrations. The result is a welcome and enthusiastically recommended addition to academic and community Art History reference collections, as well as supplemental reading lists for art students and non-specialist general readers with an interest in art, artists, and art history.The Artist's Eyes: Vision and the History of Art OverviewIn this fascinating juxtaposition of science and art history, ophthalmologists Michael Marmor and James Ravin examine the role of vision and eye disease in art. They focus on the eye, where the process of vision originates, and investigate how aspects of vision have inspired and confounded many of the world's most famous artists.

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