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LeRoy Grannis: Surf Photography Of The 1960s & 1970s (25) ReviewIt depends on what you're looking for. Yes there are many pages of nice photos of SoCal 1960s beach culture, and lots of pages are taken up with the surfmag ads Grannis shot, for boards and boardshorts. But I was hoping for and expected the majority of the photos to be of SURFING! There are surf photos but not enough. Plus I was expecting to see certain awesome photos Grannis took, Johnnie Fain in a radical bottom turn at overhead Malibu, Dora hanging five, Butch Van Artsdalen flying down a bitchin' big Pipeline wall on a longboard; classic stuff and the very best of Grannis. Unfortunately not a single one of those shots are in the book. They ARE available on his website, for sale in collections of 9 for the absurd price of between $3000 and $7000!!!LeRoy Grannis: Surf Photography Of The 1960s & 1970s (25) OverviewCapturing the perfect wave "Grannis' [...] book has the effect of a time capsule, bringing back an era that continues to resonate for us in shades of Technicolor and black and white." — Los Angeles Times Book Review At a time when surfing is more popular than ever, it's fitting to look back at the years that brought the sport into the mainstream. Developed by Hawaiian islanders over five centuries ago, surfing began to peak on the mainland in the 1950s—becoming not just a sport, but a way of life, admired and exported across the globe. One of the key image-makers from that period is LeRoy Grannis, a surfer since 1931, who began photographing the scene in California and Hawaii in the longboard era of the early 1960s. First published in a limited edition, which sold out instantly on publication, this new edition showcases Grannis's most vibrant work—from the bliss of catching the perfect wave at San Onofre to dramatic wipeouts at Oahu's famed North Shore. An innovator in the field, Grannis suction-cupped a waterproof box to his board, enabling him to change film in the water and stay closer to the action than other photographers of the time. He also covered the emerging surf lifestyle, from "surfer stomps" and hoards of fans at surf contests to board-laden woody station wagons along the Pacific Coast Highway. It is in these iconic images that a sport still in its adolescence embodied the free-spirited nature of an era—a time before shortboards and celebrity endorsements, when surfing was at its bronzed best.
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