Jacques Helleu & Chanel Review

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Jacques Helleu & Chanel ReviewI have long been a commercial photographer, and I'm yet to find a more inspiring book than this one. With the turn of every page I hear a calling to get up, grab my camera, and do something about it.
Finally a compilation of one of the most artisticly marketed brands around.
Bravo!Jacques Helleu & Chanel OverviewJacques Helleu is the eye behind the House of Chanel's enduring image, having explored the meanings of this legendary brand in daring commercials and fabulous print ads for the past 40 years. He has given tangible, glamorous shape to the essential mystique of Chanel's perfumes, by bringing together artistic luminaries (from photographer Helmut Newton, to director Baz Luhrman, to actress Catherine Deneuve, and countless others) and masterfully guiding the creative combustion that has resulted. This beautifully designed and lavishly illustrated volume tells the story of Helleu's vision. Stiletto magazine founder Laurence Benaïm's foreword puts Helleu's grand influence into perspective, and Helleu himself presents four decades of inspiration, arranged from A to Z in themes, including: Allure. Coco. Egoïste. Femme. Goude. Joaillerie. N5. Newton. Penn. Proust. Rouge. Séduction. Style. Temps. Vitesse. Warhol.

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The Cat in the Hat Comes Back (Beginner Books(R)) Review

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The Cat in the Hat Comes Back (Beginner Books(R)) ReviewDr. Seuss's "The Cat in the Hat" is one of the great classics of children's literature. I'm sure that a less daring author would have left well enough alone. But the good Dr. Seuss had the nerve to write a sequel! And, I'm happy to say, "The Cat in the Hat Comes Back" matches the subversive lunacy and imaginative wit of the Cat's first adventure.
The story begins with our narrator, the same little boy from the original "Cat," shoveling snow with his sister Sally. And, as in the first book, the Cat in the Hat arrives to turn their dull day topsy-turvy.
But this is no retread of the first book. The wily Cat has some new tricks to share, and some new friends to introduce to us. Little Cat A, Little Cat B, and the rest--including some brilliant surprises--are wonderful additions to the "Cat" mythos.
As in the original, the book has some unsettling nuances. Why are these kids home alone? Just what is that bizarre pink substance in the bathtub? But leave it to the psychologists and literary critics to debate the possible hidden meanings of the book; kids will enjoy the delightful rhymes and wacky illustrations. Congratulations, Dr. Seuss: you have shown that the sequel to a classic can be just as excellent as the beloved original!The Cat in the Hat Comes Back (Beginner Books(R)) Overview

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Subway Art: 25th Anniversary Edition Review

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Subway Art: 25th Anniversary Edition ReviewThere is no debating that the original printing of Subway Art , globalized the graffiti movement , giving our friends across the pond a detailed blueprint for letter forms, fresh from NYC's subway lines. In 2009 , there are a plethora of European spray paint companies catering to graffiti with an array of colors named after prominent artists in the culture. The period chronicled in this book (early 80's) is the most well-documented and some of the pieces are breath-takingly beautiful. The photography of Cooper, a pro and Chalfant , an amateur indistinguishable from a pro, show that two distinct styles can indeed co-exist with one another, despite Cap's words to the contrary. (Inside joke!)
The portraits of people are perhaps the strongest of the added material not included in the original version. Full page photos of Kase 2 with a menacing stare, a young Duster and Lizzie and a bat-wielding Dezzy Dez patrolling the 3 yard capture the era magnificently.
Several artists got added play in this new version of the old book and for the most it was the usual suspects (people who were down with Henry and Martha), giving a few of them a disproportionate amount of exposure versus their impact on this culture- a minor flaw, an oblivious public won't care about.
The book is physically huge and there are fold-outs of whole cars . Mitch 77 gets some long overdue love, as does one of the unsung heroes of the peace-loving , Central park bandshell- based version of RTW--RASTA.
Martha Cooper once ventured into the Esplanade Tunnel lay-up with Cap, Seen and myself to shoot action shots of a whole car in 1982. Damn! A quarter century went by fast.
She had huge stones to venture into the tunnel during that time period and although I don't endorse her Hip-Hop version of graff, I give her a lot of respect for that. Henry Chalfant has always been a class act and friend to the movement. If the old version of this book is considered "The Graff Bible", then this is definitely The New Testament.
Subway Art: 25th Anniversary Edition OverviewDuring the 1970s and 80s, photographers Martha Cooper and Henry Chalfant captured the environment and the imagination of a generation by documenting the burgeoning New York City graffiti movement. Now 25 years and more than a half a million copies later, their bestselling book Subway Art is available in a large-scale, deluxe format heightening the visual impact of their classic images.With 70 additional photographs, and a fresh introduction and afterword, this collector's edition illustrates the passion, creativity and resourcefulness of unlikely kids inventing an art form destined to spread worldwide and spawn the present-day street art movement.

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100 Animated Feature Films (Bfi Screen Guides) Review

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100 Animated Feature Films (Bfi Screen Guides) ReviewWritten in a clear and accessible style, "100 Animated Feature Films" looks at the high points of this genre. Disney and Japanese anime get the lion's share of attention, but all kinds of animated films (cartoon, puppetry, CGI) from filmmaking traditions as varied as France, Czechoslovakia, Britain, and China are examined.
Ormond doesn't have an axe to grind. He makes it clear that this isn't a "100 greatest" book, because he makes telling criticisms of certain films. Still, he leaves you in no doubt as to why a particular film is important in the development of animation.
I didn't agree with all of his choices, but I was very impressed with what he wrote. He made me want to look at some films again and search out and view others I hadn't been aware of. This is a very worthwhile book.100 Animated Feature Films (Bfi Screen Guides) OverviewThe animated feature film has been long under-represented in film criticism. Yet animated films have probably never been a stronger force in world cinema than they are today. This book discusses 100 key animated films from around the world, from Shrek to Svankmajer. While the genre continues to pick up attention and garner worldwide audiences of millions, appreciation for the art of animated features seems to grow as quickly as the technology driving it forward. International in focus, 100 Animated Feature Films come to life on the page with vivid images from the films discussed.

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Popeye, Vol. 3: Let's You and Him Fight Review

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Popeye, Vol. 3: Let's You and Him Fight ReviewFamous characters that have stood the test of time generally evolve into something much greater then their creators could have ever envisioned. Few people look back at the Siegel and Schuster days as the height of Superman or the Kane and Finger tenure helming Batman as the characters peak. Ian Fleming wrote some fine spy novels but without the films Bond would be just another fairly non-descript spy in an obscure series of books. In this respect Popeye is the rare exception to the rule because no one has ever outdone E.C. Segar. Rather than expand on Segar's wonderful, multidimensional Popeye later writers have only watered him down. Even the brilliant Fleischer cartoons failed to capture Segars magic. Segar had a much richer, livelier world for Popeye than any later incarnations. In the nearly 80 year history of Popeye THIS is the best.
If you've never read Segar's Popeye you're in for a shock. Popeye is rude, crude and often a bully. He has a soft spot for hard luck cases but his desire to help often backfires. What makes Segar so great is that he develops Popeye into a fully three dimensional character flaws and all. In one story Popeye tries to help the poor farmers of Nazilia by insisting that King Blozo give each one a doorknob sized hunk of gold. This ends up shattering the countries economy which is exactly what would happen. Segar delves into some deep philosophical issue concerning the danger of excessively helping the poor and the unfortunate fact that sometimes even the best of intentions can blow up in a persons face. After the economy is repaired King Blozo's kingship is challenged by General Bunzo from volume 2 in a general election. Popeye attempts to rig the election and Segar shows awareness for the dubious morality of Popeye's actions.
Popeye expresses his philosophy of life saying, "I don't do good deeds to get credick. I does `em on account of they oughter get done... an if ya does good deeds jus' to get yerself a swell seat in heaven yer selfish. The only reward ya should expeck for doin' right is the sort of cumfterble feelin wich ya get from doin it" That is an amazingly deep statement coming from a character in a daily comic. The above quote is expressed as an explanation as to why he is helping Wimpy to earn enough money to help his mother afford a place to live. Popeye ill conceived plan is to buy Wimpy a hamburger stand with hopes of turning a profit. When Wimpy inevitably eats his own product Popeye simply gives Wimpy five grand to pass on to his mother. To Wimpy's credit he does give the money to his mother... right before hitting her up for some cash which he proceeds to spend on burgers. Segar sets up an admirable philosophy for Popeye and then shows its flaws. Segar's Popeye is not a great man but he is a complex man with flashes of greatness. This is exactly what elevates Segar above the rest.
This book features a ton of famous firsts including the first appearances of Swee'Pea and Mr. Geezel and the single appearance of Bluto who gets the business end of Popeye's devastating "Twisker Punch". Wimpy is given a much larger role and pretty much takes center stage in the color Sunday comics. The Sundays center around Popeye, Wimpy and Roughhouse and they're at least as much fun as the dailies. Wimpy may be the most amoral character ever to exist in the funny pages. In one hilarious comic Popeye bets a man ten bucks that Wimpy wouldn't choke his own grandmother for a burger. After devising a plan to test Wimpy Popeye ends up ten dollars lighter. Finally let me state that the E.C. Segar comics are clearly a product of the depression era where a violent sailor with poor grammar could be a hero. On the other hand the Segar Popeye, who is fast approaching his 80th birthday, holds up amazingly well and feels much less dated than other decades old characters. If I could give this book six stars I would.
Finally let me close with one quick joke as an example of Segar's wonderful comedic flair....
Popeye: Nothin kin kill me Mr. Works I yam immoral
Mr. Works: You mean immortal
Popeye: I means what I means - tha's what I meansPopeye, Vol. 3: Let's You and Him Fight Overview

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